2 0.0/10 Allegro molto Trio4. 2 Manuscript, Skizzen zum Scherzo, sterreichische Nationalbibliothek, Signatur: Mus.Hs.3196, Datierung: 4.1.89. 8 Minuet. 0.0/10 6 8 0.0/10 *#579241 - 59.99MB - 26:13 - 4 6 - 6 0.0/10 An organ point, on the note A, slows down the movement and prepares the varied page set. (-) - !N/!N/!N - 3948 - MP3 - Kerr Jamieson, MP3 file (audio) 10 4 0.0/10 0.0/10 8 4 2 ): Anton Bruckner, IX. 10 Adagio molto Allegro con brio (C major) Andante cantabile con moto (F major) Minuet. 4 10 10 4 2.1 Scores. 4 (-) - V/67/V - 27 - MP3 - Lucas-coelho, 4. The earliest recordings of the Orel edition were Oswald Kabasta's live performance with the Munich Philharmonic in 1943 for the Music and Arts label, and Wilhelm Furtwngler's studio performance with the Berlin Philharmonic in 1944 (multiple labels). 0.0/10 0.0/10 He also expands the form, enhancing it to the monumental. Organ Sonata No. *#192036 - 2.76MB, 41 pp. 0.0/10 *#245937 - 0.36MB, 6 pp. 0.0/10 4 10 6 10 10 8 2.1 Scores. Generoso (2010/7/1), Cello Part - *#440381 - 10.66MB, 44 pp. This third theme group, with its five-four motif, has a strong affinity with the theme of Te Deum recurring in the finale. *#33488 - 4.67MB, 50 pp. 8 6 2.2.1 For Orchestra transcription toccata d minor for harmonica chromatic dedicated to Jean-Simon Taillefer my friend and my harmonica master. 4 Adagio Allegro molto e vivace (EU) 8 4 At the beginning, the strings in the tremolo intone the root note D, which is solidified in the third bar by the woodwinds. 10 0.0/10 8 Trio (EU) 2 *#516064 - 49.79MB - 21:45 - *#01052 - 2.91MB, 30 pp. *#103837 - 3.70MB - 1:37 - According to Phillips, the sketches contain the progress of the coda to the last cadence. (-) - !N/!N/!N - 2682 - MP3 - Cypressdome, 4. *#26189 - 0.87MB, 6 pp. 10 - My top priority in this endeavour was to use, or at least consider, as much of Bruckner's original material as possible and thus avoid speculation as far as possible. *#75657 - 16.07MB - 8:46 - *#440311 - 0.72MB, 6 pp. "For over 20 years we have provided legal access to free sheet music. 0.0/10 [48] Ernst Dcsey also highlights this mourning passage, stating: "Bruckner called this passage [rehearsal mark B] when he played it to the two Helms, returning in 1894 from Berlin."[49]. The previously seldom perused, early sketches were another important source of essential Brucknerian ideas. 0.0/10 - - Tito Manlio (2015/10/11), Complete Parts 10 0.0/10 6 2 0.0/10 - *#28874 - 2.64MB, 12 pp. 0.0/10 10 10 6 4 Feldmahler (2007/9/14), 2. 6 The entry of the main theme is preceded by a harmoniously complicated increase phase. Rondo. 2 In this sense it is unlimited, infinite and basically atonal"[47] On this sound surface, the characteristic trumpet fans are literally staged and counterpointed by a fatefully unfurling horn motif. 36 Adagios (Haydn, Joseph) Airs populaires, chants nationaux et motifs clbres (Vilbac, Renaud de) Album for Violin and Harmonium (Hansen, Nikolaj) 10 8 (-) - V/68/V - 29 - MP3 - Lucas-coelho, 4. (-) - V/68/V - 130 - MP3 - Lucas-coelho, MP3 file (audio) *#736764 - 11.42MB - 7:22 - - (-)- !N/!N/!N - 268 - Reccmo, Complete Score and Violin Part 1799-1800 First Perf ormance. Instruments. (-) - V/68/V - 103 - MP3 - Lucas-coelho, MP3 file (audio) *#113282 - 11.47MB, 43 pp. (-)- V/V/V - 3731 - Timtin, Frontispiece and Index (-)- !N/!N/!N - 1693 - CCARH, 3. 4 The coda combines the main themes of all four movements simultaneously, in a somewhat similar fashion to the coda of the finale of Symphony No. 4 2 *#335800 - 0.88MB, 22 pp. *#219528 - 0.04MB, 2 pp. Page visited 150,913 times Powered by MediaWiki 8 4 0.0/10 6 0.0/10 6 Adagio - Allegro molto e vivace, 1. 2 4 Talmi's recording also included the retrieved fragments Bruckner left (Orel edition), so that the listener may determine for himself how much of the realisation was speculation by the editor. (-)- V/V/V - 2073 - Philhar, Flute 1, 2 4 (-)- V/V/V - 1382 - enterprise11, Complete Score 6 6 8 *#729165 - 8.16MB - 4:33 - 4 Polonaises, Op.1 (Schumann, Clara) Praeludien (Schumann, Clara) Prelude and Fugue in F-sharp minor (Schumann, Clara) 2 [22], The fugue is unusual because of its prominent position in the final movement of the Ninth Symphony, although the inclusion of a fugue in the symphonic context of Bruckner is not uncommon. *#28591 - 3.70MB, 26 pp. 4 0.0/10 *#19458 - 1.23MB, 7 pp. The Adagio of the Seventh begins with a full chord accompaniment, unlike in the Ninth. - 4 Adagio - Allegro molto e vivace 2 8 *#10183 - 1.85MB, 22 pp. 0.0/10 4 4 4 (-)- V/V/V - 1286 - enterprise11, PDF scanned by Unknown Mozart scores at Sheet Music Plus; Wishlist; Miscellaneous information "K" numbers for works are taken from the first edition of: Ludwig von Kchel, Adagio in D minor, K.Anh.35/593a (Mozart, Wolfgang Amadeus) Adagio in E major, K.261 (Mozart, Wolfgang Amadeus) 8 Andante cantabile con moto (EU) Bruckner follows Wagner by opening soundscapes through the emancipation of dissonance, and adds a new dimension in the harmony by separating individual chords from traditional sound connections. Allegro molto e vivace - Trio 8 Finale. Mozart scores at Sheet Music Plus; Wishlist; Miscellaneous information "K" numbers for works are taken from the first edition of: Ludwig von Kchel, Adagio in D minor, K.Anh.35/593a (Mozart, Wolfgang Amadeus) Adagio in E major, K.261 (Mozart, Wolfgang Amadeus) 8 8 [65] The brief development contains a bizarre passage with minor-ninth trumpet calls:[66], A "wild fugue" begins the recapitulation, using a variant of the main theme as a subject:[67]. 2 2 6 2 *#24498 - 12.27MB, 71 pp. 2 6 8 Anton Bruckner: Symphony No. Sign-in. (-) - !N/N/!N - 1563 - MP3 - Vangi, Piano Accompaniment Alaric (2009/6/26), Complete Score 6 He now seemed to think of a transition to the Te Deum and promised, as Meissner relates, a tremendous effect on the far-reaching main theme, blasted out by the brass choir, and on the familiar and original introductory bars of the Te Deum, as well as on the singers appearing there. - 4 2 *#79304 - 2.62MB, 26 pp. 2 6 *#736435 - 8.42MB - 6:24 - (-) - V/67/V - 84 - MP3 - Lucas-coelho, MP3 file (audio) The symphony was premiered under Ferdinand Lwe in Vienna in 1903. 6 8 The decisive factor, however, is not the mass of means of expression, but the way in which they are used As in Strings of the group, woodwinds and brass instruments are soon to be juxtaposed, soon to be coupled again in the most diverse ways, and united to form an inseparable whole, as well as in individual sound the instruments of these groups. 4 10 8 6 (-)- C*/N*/V* - 1509 - Piupianissimo, Complete Score 2 Sheet Music. 2 [105] Schaller also creates the broad, dramatically designed reprise of the main theme from Bruckner's earlier sketches. (-)- V/V*/V* - 7664 - Feldmahler, 4. *#734752 - 35.99MB - 24:52 - . - 4 4 Philhar (2016/9/23), 11 more: Oboe 1 Clarinet 1, 2 (B) Bassoon 1, 2 Horn 1, 2 (B) Trumpet 1, 2 (B) Timpani Violins I Violins II Violas Cellos/Basses Cover Page, Oboe 1 The powerful main theme in the first movement impresses as the D minor sound space is first confirmed by the rhythmically striking octave transposition of the notes D and A, with a sudden deviation of the sound to C major, reinterpreted as a dominant to E minor. 6 2 (-) - V/N/V - 40 - MP3 - Lucas-coelho, 3. Nevertheless, he conceded to the variant with the Te Deum as a final replacement, at least according to the testimony of various eyewitnesses. The tone dissociation in the first movement concerned the tonic and was relatively late. *#736770 - 8.15MB - 5:55 - 6 10 8 (-)- V/V/V - 1762 - Philhar, Oboe 1, 2 0.0/10 2 10 This revision was published in 2008 and was then recorded by conductor Friedemann Layer with the Musikalische Akademie des Nationaltheater-Orchesters, Mannheim. 2 *#439653 - 1.17MB, 7 pp. [75] In the fugue the last almost completely orchestrated score pages are traceable. The revision of 2007 has been performed by Warren Cohen and the Musica Nova Orchestra in November 2009. 4 Sheet Music. 6 2 2 The Symphony No. 10 6 2 8 (-)- V/V/V - 670 - Music Addict, PDF scanned by bh2000 (-)- V/V/V - 393 - Morel, Piano 2 [99][100][101] In the Coda he included quotations of themes from the Fifth, Seventh and Eighth Symphonies, the mid-subject of the Trio as a final Halleluja, and at the end the combination of the four main themes from all four movements of the Ninth.[102]. 6 2 Lucas-coelho (2021/10/4), 2. Uranux (2019/7/3), Complete Score Carragan has made some additional adjustments in 2017. 4 10 Allegro ma non troppo (EU) Instruments. - Compositions for different skill levels. Live performance on Jan. 27, 2019 at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. 10 Adagio - Allegro vivace (EU) - 10 Trio (EU) 2 [42] In terms of compositional analysis, the phenomenon of tone splitting plays an integral role in this movement's beginning. (-)- V/V/V - 6327 - Ottaviano, Timpani - 6 *#569277 - 6.52MB, 26 pp. - 0.0/10 Following a return to the beginning, an energetic coda concludes. 6 4 *#729155 - 13.33MB - 8:19 - 2 ), Dr. [Samuel]Baud Bovy - Genf, Hans Haug, [Otmar] Nussio - Lugano, D[r. Hermann] Scherchen, Fritz Reitz - Cellist, [Ernest] Ansermet, Pierre Fournier - Paris, Cellist, [Wilhelm] Furtwngler, Complete Score 8 0.0/10 As Rainer Bloss writes (as translated from German): "The main theme of the finale of the 9th Symphony has a peculiarity, because its form is changed, transformed in its last two bars. (-)- !N/!N/!N - 35271 - Abonds, Complete Score - - 2 10 4 6 The symphony is so often performed without any sort of finale that some authors describe "the form of this symphony [as] a massive arch, two slow movements straddling an energetic Scherzo."[26]. 10 (-)- V/V/V - 8052 - Peter, Complete Score 8 Listen and download, totally free and legal. 6 2 8 - The first commercial recording was made by Siegmund von Hausegger with the Munich Philharmonic in 1938 for HMV. 2 10 Enterprise11 (2011/8/13), Violin 1 *#735783 - 5.02MB - 3:35 - - 6 8 D.821 I-Catalogue Number I-Cat. Subscribe. Trio 4. View performance on Youtube: Synthesised on Viscount CM-100 pipe-organ module, The Unger edition is Public Domain in the USA, Arrang pour le piano 4 mains par Charles Czerny, "arrange pour huit petites mains sur deux pianos". (-) - !N/!N/!N - 12419 - MP3 - Cypressdome, 2. 10 6 *#208405 - 0.11MB - 24:06 - *#724794 - 11.10MB - 7:55 - (-) - V/68/V - 388 - MP3 - Lucas-coelho, MP3 file (audio) Peter Ruzicka, Annherung an einen Torso. 8 6 8 (-)- V/V/V - 45042 - Feldmahler, PDF scanned by Unknown - Andante cantabile con moto (EU) *#442147 - 7.24MB, 36 pp. 6 Allegro (EU) - - 8 8 9 (with finale supplemented from original sources and completed by Gerd Schaller), Philharmonie Festiva / Gerd Schaller", https://thehigharts.com/bruckner-symphony-9-with-completed-finale-gerd-schaller-2018/, "Review: Recording of the Month Anton Bruckner (18241896), Symphony No. *#723419 - 4.58MB - 3:44 - 2 *#736427 - 8.90MB - 6:50 - 4 (-) - !N/!N/!N - 33441 - MP3 - Carolus, 1. 10 2 2 6 0.0/10 The Piano Concerto No. *#33485 - 3.16MB, 32 pp. [14], The first three movements of the Ninth were premiered in Vienna, in the Wiener Musikvereinssaal on 11 February 1903 by the Wiener Concertvereinsorchester, the precursor of the Wiener Symphoniker (Vienna Symphony), under the conductor Ferdinand Lwe in his own arrangement. 2 ): Bruckners Neunte im Fegefeuer der Rezeption. Adagio 3. 4 *#711837 - 13.99MB - 10:19 - Symphony No.9 in D minor, Op.125 (Choral) Symphony (Sinfonia) in C minor, Hess 298 [sketches] The Jena Symphony in C once attributed to Beethoven was actually written by Friedrich Witt. 6 [] That Bruckner deliberately wanted to bring the Te Deum motif, proves the remark 'Te Deum thirteen bars before the entrance of the Te Deum figure'. 2 *#19876 - 4.22MB, 12 pp. Adagio Allegro molto e vivace (EU) 7. 8 - 6 *#590377 - 12.76MB, 56 pp. Royal College of Music Library, London (GB-Lcm): Original images:300dpi, color jpg2000filesapprox. - 6 4 Adagio in D minor, K.Anh. *#09340 - 4.52MB, 47 pp. - Microsoft is quietly building a mobile Xbox store that will rely on Activision and King games. 6 9", "Ebrach, Bavaria Abbey 24 June 2016; Bruckner Symphony No. 6 0.0/10 8 (-)- !N/!N/!N - 9221 - homerdundas, PDF typeset by arranger . 8 4 4 8 10 0.0/10 (-)- V/V/V - 1205 - Fynnjamin, PDF scanned by DK-Kk [50][51] Played by a horn and the Wagner tubas, it is in B minor (a tritone above the movement's overall tonic of E): The beginning of the second theme group presents a somewhat more melodic, lamenting theme on the violins: Its second theme, a soft vocal melody, the structure of which is sometimes "compared to the themes of the late Beethoven",[41] undergoes numerous modifications and variations as it progresses. Funper (2007/4/29), Complete Score 6 2 10 *#35339 - 0.81MB, 5 pp. *#411721 - 14.77MB, 125 pp. Piano Sheet music Adagio sostenuto (C minor) 2. 9 in D minor, WAB 109, is the last symphony on which Anton Bruckner worked, leaving the last movement incomplete at the time of his death in 1896; Bruckner dedicated it "to the beloved God" (in German, dem lieben Gott).The symphony was premiered under Ferdinand Lwe in Vienna in 1903. *#12724 - 2.43MB, 18 pp. 8 6 8 8 8 2 2 Ivdruiz (2009/12/29). 10 Manuscript, first and second draft for the Trio in F major for the Scherzo, sterreichische Nationalbibliothek, Signatur: Mus.Hs.3165. 8 2 4 Febr. (-)- !N/!N/!N - 28102 - cellofan, PDF typeset by arranger After a brooding intermediate phase, a renewed increasing wave rises, which leads to the climax of the implementation. 9 in D minor, Op. 10 III. - After the 1988 revision of their completion, Samale and Mazzuca were joined by John A. Phillips and Benjamin-Gunnar Cohrs. 2 Microsofts Activision Blizzard deal is key to the companys mobile gaming efforts. 2 - 8 2 *#439658 - 0.40MB, 2 pp. 6 It begins in tonal ambiguity, and is the most troubled opening to any Bruckner Adagio, although it achieves lyrical serenity and awe. 4 2 10 Ottaviano (2009/7/27), 10 more: Oboe 1, 2 Clarinet 1, 2 (B) Bassoon 1, 2 Horn 1, 2 (B, E, plus transposed F) Trumpet 1, 2 (B, E) Timpani Violins I Violins II Violas Cellos/Basses, Oboe 1, 2 (-) - V/68/V - 27 - MP3 - Lucas-coelho, 3. 8 Allegro molto Sheet Music. 2 Sheet Music. 6 The first movement in D minor (alla breve) is a freely designed sonata movement with three thematic groups. The revision of 2010 has been recorded by. 10 10 - 4 10 4 Bruckner's 'unusual' two-bar extension demonstrates this modular regression exceptionally". Allegro molto e vivace 10 0.0/10 - Floros emphasizes that the Adagio of the Ninth, as well as the finale, "must be viewed against an autobiographical background. Reccmo (2012/5/15), Synthesized Audio 8 This character lies in the manifold usefulness of the sound. 8 0.0/10 0.0/10 (-) - !N/!N/!N - 5586 - MP3 - Papalin, Complete Score 8 4 in E minor, BWV 528 - II. 10 2.1 Scores; 2.2 Arrangements and Transcriptions. A new edition of the complete three movements was recorded by Nikolaus Harnoncourt, Simon Rattle and Simone Young. 2 - 2 Cello Suite No.2 in D minor, BWV 1008; Cello Suite No.3 in C major, BWV 1009; Cello Suite No.4 in E-flat major, BWV 1010 Adagio from Violin Sonata in G minor (previously attributed to J.S.Bach) Viola da gamba Sonata in G minor, Wq.88 (H.510) (Grtzmacher) for Cello and piano} Other Chamber Music Works Duos Duos (Cello/Guitar) 2.1 Scores. 2950 by 4250 usablepixels. Tremolo (2010/2/9), Complete Score and Cello Part (CA) 4 10 4 10 10 Free Intermediate Level Free Piano Sheet Music sheet music pieces to download from 8notes.com. Compositions for different skill levels. Ming-Jui Liu (2014/7/23), Flute 2 6 (-)- V/V/V - 1448 - Morel, Complete Score 0.0/10 4 8 8 2 Surrounded by the string figures of the Te Deum, there was a chorale that is not included in the Te Deum. 2 (-)- V/V/V - 16180 - Ottaviano, Timpani 2 (-)- V/V/V - 906 - Morel, Complete Score 9, Finale Fragmente, Groes Symphonieorchester des Reichssenders Leipzig, Hans Weisbach, CD, Deutsches Rundfunkarchiv, www.dra.de, 12.10.1940. 2 6 35/593a (1790) Adagio and Allegro in F minor for a Mechanical Organ, K. 594 (1790) Fantasia in F minor for a Mechanical Organ, K. 608 (1791) Free typeset sheet music of Mozart's works from the Mutopia Project; Digital Mozart Edition, Neue Mozart-Ausgabe (NMA) Online (New Mozart Edition), 127 volumes; 10 0.0/10 Bruckner's first biographer and secretary, August Gllerich (18591923), who was also the secretary of Franz Liszt, began a comprehensive Bruckner biography, which was completed after his death by the Bruckner researcher Max Auer (18801962). 0.0/10 2 *#35337 - 1.14MB, 10 pp. (-)- !N/!N/!N - 3667 - CCARH, 4. The two editions have the same identical layout for easy comparison. 6 0.0/10 *#317751 - 1.05MB, 104 pp. The Scherzo (second movement), sketched as early as 1889, was completed on 15 February 1894. Allegro molto Trio (F major) Rondo. Beethoven, L. v., Mendelssohn-Stiftung 12, The Unger edition is Public Domain in the USA. 10 9, Anton Bruckner Critical Complete Edition Symphony No. Scores (18) Parts (31) Arrangements and Transcriptions (53) Other (0) Source Files (0) Scores Complete 6 He published his altered version without comment, and this edition was long regarded as Bruckner's original. (-)- !N/!N/!N - 8876 - Ming-Jui Liu, PDF typeset by Arranger During the revision of his Eighth, he also revised his Third Symphony from March 1888 to March 1889. 4 (-)- V/V/V - 12743 - Feldmahler, PDF scanned by Unknown This new edition, 665 bars long, makes use of 569 bars from Bruckner himself. (May, John Alexander), Sonatas and other Works (Sheldon, Henry K.), Sonaten fr Klavier zu zwei Hnden (Haydn, Joseph), 6 Sonates 2 violons et basse, Op.8 (Haydn, Joseph), 12 Sonates de Haydn, Mozart et Beethoven (Delisse, Paul), Souvenirs de musique de chambre (Alkan, Charles-Valentin), Souvenirs des concerts du Conservatoire (Alkan, Charles-Valentin), 4 Spiegelkanons, K.Anh.10.16 (Mozart, Wolfgang Amadeus), 15 String Quartets arranged for Piano (Haydn, Joseph), Ae fond Kiss, Hob.XXXIa:131 (Haydn, Joseph), As I cam down by yon Castle Wa', Hob.XXXIa:114 (Haydn, Joseph), The Banks of Spey, Hob.XXXIa:57 (Haydn, Joseph), Barbara Allen, Hob.XXXIa:11 (Haydn, Joseph), Be Kind to the Young Thing, Hob.XXXIa:54 (Haydn, Joseph), Bess and her Spinning Wheel, Hob.XXXIa:147 (Haydn, Joseph), Bid Me not forget, Hob.XXXIa:126 (Haydn, Joseph), The Birks of Abergeldie, Hob.XXXIa:58 (Haydn, Joseph), The Black Eagle, Hob.XXXIa:66 (Haydn, Joseph), Blink o'er the Burn, Sweet Betty, Hob.XXXIa:68 (Haydn, Joseph), Blue Bonnets, Hob.XXXIa:39 (Haydn, Joseph), The Blythesome Bridal, Hob.XXXIa:20 (Haydn, Joseph), The Bonnie Grey ey'd Morn, Hob.XXXIa:101 (Haydn, Joseph), Bonnie Wee Thing, Hob.XXXIa:102 (Haydn, Joseph), The Bonniest Lass in a' the Warld, Hob.XXXIa:25 (Haydn, Joseph), The Bonny Brucket Lassie, Hob.XXXIa:59 (Haydn, Joseph), Bonny Kate of Edinburgh, Hob.XXXIa:94 (Haydn, Joseph), The Brisk Young Lad, Hob.XXXIa:46 (Haydn, Joseph), Cauld Kail in Aberdeen, Hob.XXXIa:55 (Haydn, Joseph), A Cold Frosty Morning, Hob.XXXIa:107 (Haydn, Joseph), Colonel Gardner, Hob.XXXIa:97 (Haydn, Joseph), A Country Lassie, Hob.XXXIa:144 (Haydn, Joseph), Cumbernauld House, Hob.XXXIa:47 (Haydn, Joseph), Dainty Davie, Hob.XXXIa:32 (Haydn, Joseph), Dear Silvia, Hob.XXXIa:136 (Haydn, Joseph), The Death of the Linnet, Hob.XXXIa:138 (Haydn, Joseph), Donald and Flora, Hob.XXXIa:139 (Haydn, Joseph), Duncan Davison, Hob.XXXIa:26 (Haydn, Joseph), Duncan Gray, Hob.XXXIa:34 (Haydn, Joseph), Eppie Adair, Hob.XXXIa:74 (Haydn, Joseph), The Ewy wi' the Crooked Horn, Hob.XXXIa:116 (Haydn, Joseph), Fair Eliza, Hob.XXXIa:117 (Haydn, Joseph), Fife and a' the lands about it, Hob.XXXIa:29 (Haydn, Joseph), The Flowers of Edinburgh, Hob.XXXIa:90 (Haydn, Joseph), Frae the Friends and Land I Love, Hob.XXXIa:105 (Haydn, Joseph), Fy gar rub her o'er wi' Strae, Hob.XXXIa:7 (Haydn, Joseph), Galla Water, Hob.XXXIa:15 (Haydn, Joseph), The Gard'ner wi' his Paidle, Hob.XXXIa:45 (Haydn, Joseph), The Glancing of Her Apron, Hob.XXXIa:88 (Haydn, Joseph), Green Grow the Rashes, Hob.XXXIa:8 (Haydn, Joseph), Green Sleeves, Hob.XXXIa:112 (Haydn, Joseph), Hallow ev'n, Hob.XXXIa:63 (Haydn, Joseph), Her Absence will not Alter Me, Hob.XXXIa:100 (Haydn, Joseph), Heres a Health to My True Love, Hob.XXXIa:49 (Haydn, Joseph), How can I be sad on my Wedding Day, Hob.XXXIa:36 (Haydn, Joseph), How Long and Dreary is the Night, Hob.XXXIa:67 (Haydn, Joseph), Hughie Graham, Hob.XXXIa:141 (Haydn, Joseph), I canna come ilke day to woo, Hob.XXXIa:140 (Haydn, Joseph), I do confess Thou art sae Fair, Hob.XXXIa:110 (Haydn, Joseph), I Dream'd I Lay, Hob.XXXIa:87 (Haydn, Joseph), I Had a Horse, Hob.XXXIa:17 (Haydn, Joseph), I Love My Love in Secret, Hob.XXXIa:3 (Haydn, Joseph), I'm o'er Young to Marry Yet, Hob.XXXIa:30 (Haydn, Joseph), If a Body meet a Body, Hob.XXXIa:80 (Haydn, Joseph), If e'er Ye do Well it's a Wonder, Hob.XXXIa:95 (Haydn, Joseph), Jamie come try Me, Hob.XXXIa:79 (Haydn, Joseph), Jenny drinks nae water, Hob.XXXIa:132 (Haydn, Joseph), Jenny was Fair and Unkind, Hob.XXXIa:99 (Haydn, Joseph), Jockie and Sandie, Hob.XXXIa:91 (Haydn, Joseph), John Anderson, My Jo, Hob.XXXIa:2 (Haydn, Joseph), John of Badenyon, Hob.XXXIa:24 (Haydn, Joseph), John, come kiss me now, Hob.XXXIa:41 (Haydn, Joseph), Johnie Armstrong, Hob.XXXIa:109 (Haydn, Joseph), Kellyburn Braes, Hob.XXXIa:148 (Haydn, Joseph), Lady Randolph's Complaint, Hob.XXXIa:127 (Haydn, Joseph), The Lass of Livingston, Hob.XXXIa:23 (Haydn, Joseph), The Lea-rig, Hob.XXXIa:31 (Haydn, Joseph), Leader Haughs and Yarrow, Hob.XXXIa:27 (Haydn, Joseph), Lizae Baillie, Hob.XXXIa:83 (Haydn, Joseph), Logie of Buchan, Hob.XXXIa:73 (Haydn, Joseph), Love will find out the Way, Hob.XXXIa:53 (Haydn, Joseph), Maggie's Tocher, Hob.XXXIa:86 (Haydn, Joseph), Maggy Lauder, Hob.XXXIa:35 (Haydn, Joseph), The Maid's Complaint, Hob.XXXIa:84 (Haydn, Joseph), Margret's Ghost, Hob.XXXIa:65 (Haydn, Joseph), Mary's Dream, Hob.XXXIa:1 (Haydn, Joseph), McGregor of Ruara's Lament, Hob.XXXIa:81 (Haydn, Joseph), Merry may the Maid Be, Hob.XXXIa:50 (Haydn, Joseph), The Mill, Mill O, Hob.XXXIa:92 (Haydn, Joseph), The Minstrel, Hob.XXXIa:115 (Haydn, Joseph), Mount your Baggage, Hob.XXXIa:42 (Haydn, Joseph), The Mucking of Geordie's Byre, Hob.XXXIa:51 (Haydn, Joseph), My Boy Tammy, Hob.XXXIa:18 (Haydn, Joseph), My Goddess Woman, Hob.XXXIa:120 (Haydn, Joseph), My Heart's in the Highlands, Hob.XXXIa:77 (Haydn, Joseph), My Mithers ay glowran o'er me, Hob.XXXIa:70 (Haydn, Joseph), My Nanny O!, Hob.XXXIa:37 (Haydn, Joseph), Nithsdall's Welcome home, Hob.XXXIa:125 (Haydn, Joseph), Now Westlin Winds, Hob.XXXIa:111 (Haydn, Joseph), O Bonny Lass, Hob.XXXIa:89 (Haydn, Joseph), O can you Sew Cushions, Hob.XXXIa:48 (Haydn, Joseph), O Let Me in this ae Night, Hob.XXXIa:61 (Haydn, Joseph), O'er the Hills and far away, Hob.XXXIa:149 (Haydn, Joseph), O'er the Moor amang the Heather, Hob.XXXIa:122 (Haydn, Joseph), O, For ane and Twenty Tam!, Hob.XXXIa:108 (Haydn, Joseph), Oh Onochrie, Hob.XXXIa:85 (Haydn, Joseph), On a Bank of Flowers, Hob.XXXIa:142 (Haydn, Joseph), Peggy in Devotion, Hob.XXXIa:96 (Haydn, Joseph), Pentland Hills, Hob.XXXIa:33 (Haydn, Joseph), The Ploughman, Hob.XXXIa:10 (Haydn, Joseph), Robin quo' she, Hob.XXXIa:72 (Haydn, Joseph), The Rose Bud, Hob.XXXIa:135 (Haydn, Joseph), Roy's Wife of Alldivaloch, Hob.XXXIa:103 (Haydn, Joseph), Saw Ye my Father, Hob.XXXIa:5 (Haydn, Joseph), Saw ye my Peggy, Hob.XXXIa:56 (Haydn, Joseph), A Select Collection of Original Scottish Airs (Thomson, George), A Select Collection of Original Welsh Airs (Thomson, George), 12 Sentimental Catches and Glees (Bertie, Willoughby), She's fair and fause, Hob.XXXIa:121 (Haydn, Joseph), The Shepherd Adonis, Hob.XXXIa:21 (Haydn, Joseph), The Shepherd's Son, Hob.XXXIa:106 (Haydn, Joseph), The Shepherd's Wife, Hob.XXXIa:128 (Haydn, Joseph), Shepherds, I have lost My Love, Hob.XXXIa:93 (Haydn, Joseph), The Slave's Lament, Hob.XXXIa:137 (Haydn, Joseph), Sleepy Bodie, Hob.XXXIa:44 (Haydn, Joseph), The Soger Laddie, Hob.XXXIa:60 (Haydn, Joseph), The Songs of Robert Burns (Folk Songs, Scottish), St. Kilda Song, Hob.XXXIa:19 (Haydn, Joseph), Steer her up and had her gawin, Hob.XXXIa:78 (Haydn, Joseph), Strathallan's Lament, Hob.XXXIa:145 (Haydn, Joseph), Strephon and Lydia, Hob.XXXIa:150 (Haydn, Joseph), The Tears I shed, Hob.XXXIa:123 (Haydn, Joseph), This is no mine ain house, Hob.XXXIa:14 (Haydn, Joseph), Tho' for sev'n years and mair, Hob.XXXIa:146 (Haydn, Joseph), Thomson's Select Melodies of Scotland, Ireland and Wales (Thomson, George), Thou'rt gane awa', Hob.XXXIa:12 (Haydn, Joseph), Tibby Fowler, Hob.XXXIa:52 (Haydn, Joseph), The tither morn, Hob.XXXIa:130 (Haydn, Joseph), To Daunton Me, Hob.XXXIa:98 (Haydn, Joseph), Up in the Morning Early, Hob.XXXIa:28 (Haydn, Joseph), The Vain Pursuit, Hob.XXXIa:133 (Haydn, Joseph), The Waefu' Heart, Hob.XXXIa:9 (Haydn, Joseph), Wat ye wha I met yestreen, Hob.XXXIa:69 (Haydn, Joseph), The Wawking of the Fauld, Hob.XXXIa:40 (Haydn, Joseph), The weary Pund o'Tow, Hob.XXXIa:129 (Haydn, Joseph), The Wee Wee Man, Hob.XXXIa:124 (Haydn, Joseph), 26 Welsh Songs, WoO 155 (Beethoven, Ludwig van), What can a young Lassie do, Hob.XXXIa:134 (Haydn, Joseph), When she came ben she bobet, Hob.XXXIa:62 (Haydn, Joseph), While Hopeless, Hob.XXXIa:104 (Haydn, Joseph), Whistle o'er the lave o't, Hob.XXXIa:76 (Haydn, Joseph), The White Cockade, Hob.XXXIa:22 (Haydn, Joseph), Widow, are Ye Waking, Hob.XXXIa:75 (Haydn, Joseph), Willie was a Wanton Wag, Hob.XXXIa:4 (Haydn, Joseph), Willy's Rare, Hob.XXXIa:82 (Haydn, Joseph), Woo'd and Married and a', Hob.XXXIa:38 (Haydn, Joseph), Ye Gods!
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